January 30, 2005
Come enjoy Eulenspiegel Puppet Troupe’s dramatic adaptation of “Crazy Eddy on the Judgment Day.” A unique entertainment with music and additional readings by the author, Mary Swander. Other puppet productions the same night.
2005: March 5, 8PM and March 6, 2PM
Puppets and Pastries, Dessert Theatre for Adults
Owl Glass Puppetry Center
319 N. Calhoun Street,
West Liberty, Iowa
January 28, 2005
The Old School Press has a new book coming out in February 2005. The Bricks of Venice, written and illustrated by Peter Harris, is a contemporary and historical account of Venetian architecture.
The 96pp of text have been printed in 14/16pt Bembo on a large page of Magnani mould-made paper. These pages have then been bound into a volume with a hand-blocked paper on the boards – the paper has been prepared especially for the edition by Alberto Valese in Venice, using a pattern taken from the facade of Ca’ d’Oro, one of the finest Gothic palaces on the Grand Canal, and just along from the building in which Peter Harris and his wife lived. Each illustration has been printed on a separate sheet of 225gsm Somerset paper made of 100% cotton , making it easier to follow the illustrations when they are called for in the text and also to frame and display them individually. To print the images I have used an Epson 2100 printer using pigment-based inks thereby assuring good longevity of the images. The seventy-two sheets of images are separated by chapter with sheets of brown Fabriano Ingres on which captions are printed to accompany the images. These sheets are collected in a solander box which is covered in another paper from Alberto Valese – a repeated tile pattern in grey. The solander box and bound volume are presented in a slip case in a soft yellow cloth with a spine label. The binding has been carried out by The Fine Bindery.
Further information can be obtained from the Old School Press website.
January 26, 2005
Crazy Eddy on the Judgment Day by Mary Swander is the newest publication by Caveworks Press:
Swander writes the roiling river; her language moves with elemental force, unstoppable. Upturned, near familiar phrases momentarily surface like a favorite article of clothing and are submerged again, often with comic results. Humorous stories within stories emerge, like “Samson of Wisconsin,” dwarf Crazy Eddy’s giant nemesis, and how he defeated him. Swander’s rural midwest roots cling tight to her stories and capture their idiosyncratic characters with a close relative’s unflinching eye.
Hand set in Garamond and Engraver’s Shaded type and printed on Mohawk Superfine. Bound in Fraser covers with Thai Mango endpapers. Binding assisted by Margaret Whiting and Julie McLaughlin. Printed in an edition of 125, and illustrated with linoleum cuts by Julie Russell-Steuart in one of the coldest summers on record.
To learn more about this book or Caveworks Press, visit www.caveworkspress.com.
January 12, 2005
Kat Ran Press has recently released Sleep, a short story by Haruki Murakami (one of my favorite authors) accompanied by four color etchings by John Gibson:
In the fall of 2004, the entire staff of Kat Ran Press was particularly pleased to announce the publication of its newest book, Sleep, a short story by Haruki Murakami with multi-color etchings by John Gibson. Translated from the Japanese by Jay Rubin, Takashima Professor of Japanese Humanities at Harvard University and author of Haruki Murakami and the Music of Words, “Sleep” was originally published in the New Yorker and recently adapted for the stage by Complicite, the London-based theater group, and the Setagaya Public Theater of Japan.
Considered by many to be Japan’s most popular and influential author, Murakami tells the story of a woman who ignores conventional wisdom by embracing more than two weeks of sleeplessness (with the aid of Anna Karenina). Composed in Dante types by Michael and Winifred Bixler of Skaneateles, New York, the fifty-six pages of Sleep have been printed at Kat Ran Press on handmade Twinrocker papers. The four etchings by John Gibson, whose paintings may be seen at the Metropolitan Museum of Art in New York City, the Museum of Fine Arts, Boston, and the Museum at the Rhode Island School of Design (among others), have been printed by Peter Pettengill and his exemplary staff at Wingate Studio in Hinsdale, New Hampshire. The entire edition has been carefully bound in full leather and boxed by Claudia Cohen at her Seattle, Washington, bindery. Forty-five numbered copies, signed by the author, translator and artist, are available for $1500. An additional fifteen lettered copies are intended for the individuals who participated in the making of the book and are not available at any price. Inquiries welcome.
January 6, 2005
This year, David Esslemont is one of three Wordsworth Trust artists-in-residence. On Saturday, January 22nd, Esslemont will be giving a presentation (with Iain Bain) on printing as part of the Wordsworth Trust’s Weekend Arts & Book Festival.
January 5, 2005
PENNANT AND HIS WELSH LANDSCAPES is a new title from Gwasg Gregynog that will be available later this year:
Readings from Thomas Pennant’s The Tour in Wales (1776-1784), selected and edited by Gwyn Walters. Illustrated with colour woodcuts by Rigby Graham, the selection retains, in an elegant prose, that rich mixture of history, typography and comment which gave the original work pioneer status and instant acclaim. 200 copies for sale in a quarter-leather binding. 16 copies for sale in a full-leather binding containing an additional set of prints and presented in a cloth-covered drop-back box. Details to be finalized. Fall 2005
Go to Gwasg Gregynog News to view some sample prints from the book.
January 4, 2005
David Esslemont published a new book in the Fall of 2004:
On the Folly and Wickedness of War
Two eighteenth-century essaysPrinted in an edition of 100. The typeface is Adobe OpenType Bembo, the paper is acid-free mould made 145g Zerkall 7625. Bound by David Esslemont in full paste-grained paper boards.
16 pp, 250 x 163 mm (10 x 6.5 inches)
Sixty copies for sale: £50 ($95) plus postage
Further details are available from his website: http://members.aol.com/esslemont/home.html